‘I have dared over the last five decades to make sculpture that engages with questions of timelessness and place. This has been against the recent dominant paradigms of the art world, where passing trends, internationalism, deconstruction, and notions such as Post Modernism and positive nihilism have held sway. This is what has made my sculpture challenging. It draws from the bottomless well of the selfless, rather than the surface world of the self. Contemporary mythology, place, previous and contemporary sculpture, and questions of spirit all nourish my output. It is a source of endless wonder, forever changing in form but connected to something which is very still, changeless’. – Greg Johns, 2017 .