Greg Johns

Showing all 39 results

Corten-Steel Sculpture

Wavering Circle – 150cm

Abstract Sculpture

Birth – 5m

Landmark Sculpture

Continuous Division – 5m

Landmark Sculpture

Duel Column Vortex – 6m

Abstract Sculpture

Excavator – 1to3m

Abstract Sculpture

Fractal Mandala – 5m

Abstract Sculpture

Fractal Mandala -1.5m

Abstract Sculpture

Fugue – 3.5m

Greg Johns

Guardian – 2.4m

Abstract Sculpture

Guardian Figures – 3m

Abstract Sculpture

Horizon Figure – 2.7m

Abstract Sculpture

Lightning Figure – 2.4m

Abstract Sculpture

Mentor the old Mob – 2.2m

Abstract Sculpture

Merging Emerging – 3.4m

Greg Johns

Sentinel – 3m

Abstract Sculpture

Pattern 3 – 1.8m

Abstract Sculpture

Returning Column – 4.8m

Abstract Sculpture

Rhythmic Circle – 3.5m

Abstract Sculpture

River Mandala – 1.5m

Landmark Sculpture

Runway – 3x6m

Landmark Sculpture

Rythm – 8m

Abstract Sculpture

Squared Circle – 1.7m

Landmark Sculpture

Swirling Mandala – 3m

Table-Top Sculpture

The Dance Continues – 8.5m

Abstract Sculpture

To the Centre – 2.4m

Table-Top Sculpture

Union – 3m

Abstract Sculpture

Vortex Mandala – 6m

Abstract Sculpture

Vortex Mandala -1.2m

Abstract Sculpture

Wavering Circle – 4m

Abstract Sculpture

Whirling Mandala – 1.2m

Abstract Sculpture

Whirling Mandala – 2.2m

Abstract Sculpture

Whirling Mandala – 3.5m

Greg Johns is one of Australia’s best known and most successful contemporary sculptors. Based in Adelaide, he has been making sculptures for public spaces since graduating from the S.A.n School of Art in 1978. He is a member of the New York Sculptors’ Guild and the International Sculptor Centre and has participated in numerous solo and group exhibitions in Australia, New Zealand, Hong Kong, England and the United States.

Johns’ work is deeply influenced by the big sky country of the Adelaide Hills, characterized by its simultaneous toughness and vulnerability. However, over time, a layering of ideas has evolved within Johns’ aesthetic, which could be said to tie his work more tightly with the object matters of Melbourne based artists, rather than the Conceptual non-makers of Adelaide. Despite placing importance on the local context of his practice, recognition and acceptance of his sculpture has come largely, from outside of his hometown.  In 2005 Johns was selected as a finalist in the Helen Lempriere Sculpture Prize, and he has received numerous public and private sculpture commissions.